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He hangs it up in a rage
Goya y Lucientes, Francisco de
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Goya y Lucientes, Francisco de

Fuendetodos, Zaragoza (Spain), 1746 - Bordeaux (France), 1828

Goya y Lucientes, Francisco de See author's file

He hangs it up in a rage

1814 - 1823. Wash, Brush, Bistre, Black chalk lines on laid paper. Not on display

This work is an example of Goya’s last group of drawings, in which he shows monks and nuns removing their habits following their secularization -voluntary or forced. The drawing is a literal representation of the Spanish expression “to hang up one’s habit”, which, in the colloquial sense, means to abandon a longstanding occupation. The title alludes directly to the monk’s anger at that imposition.

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that period. Other authors believe this album extends through the years of the Liberal Triennium (1820-23), as they see a relation between some of its drawings and the joy associated with the restoration of the Constitution of Cadiz in 1820. Still, those compositions can just as well be viewed in the same context as similar compositions from Goya’s Disasters of War. The subjects in Album C range from aspects of daily life, including numerous beggars, to dream visions of the world of night. One especially large group consists of drawings with victims of the Inquisition or of cruelty in prisons, and this recently led Juliet Wilson-Bareau to call it the Inquisition Album, although as we already stated, this is not the only subject addressed therein. In fact, another notable group of images criticizes the habits of monastic orders and the life of friars defrocked by the French authorities’ disentailment decrees.

Of Goya’s albums, this is the one with the most works, as well as the only one to have survived almost intact. It was never taken apart, and was not subjected to consecutive sales. Hence, it was almost complete when it arrived at the Museo del Prado from the Museo de la Trinidad. Of 126 known drawings, 120 are at the Museo del Prado. One is at the Biblioteca Nacional de Madrid (C 56), one at the British Museum in London (C 88), and two at the Hispanic Society of America in New York (C 71 and C 128). Finally, two others are in a private collection in that city (C 11 and C 78) (Text drawn from Matilla, J. M.: "Álbum C 91, Muchos an acabado asi. Álbum C 101, No se puede mirar", en Goya en tiempos de guerra, Museo del Prado, 2008, p. 393).

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Technical data

Inventory number
D004110
Author
Goya y Lucientes, Francisco de
Title
He hangs it up in a rage
Date
1814 - 1823
Technique
Wash; Brush; Bistre; Black chalk lines
Support
Laid paper
Dimension
Height: 205 mm.; Width: 144 mm.
Series
Cuaderno C, 130
Provenance
Javier Goya, Madrid, 1828; Mariano Goya, Madrid, 1854; Federico de Madrazo / Román Garreta, Madrid, c. 1855-1860; Museo de la Trinidad, Madrid, 5-4-1866; Museo del Prado, 1872.

Bibliography +

Sánchez Cantón, Francisco Javier, Sala de los dibujos de Goya, II, Museo del Prado, Madrid, 1928, pp. n. 372.

Sánchez Cantón, Francisco Javier, Los dibujos de Goya. Reproducidos a su tamaño y en su color, II, Museo del Prado, Madrid, 1954, pp. n. 318.

Gassier, Pierre, Vie et oeuvre de Francisco de Goya: l' oeuvre complet illustré: peintures, dessins, gravures, Office du Livre, Fribourg, 1970, pp. 287, n. 1365.

Gassier, Pierre, Dibujos de Goya. Los álbumes, I, Noguer, Barcelona, 1973, pp. 383-384, n. 274, il. p. 352.

Salas, Xavier de, Goya Das Zeitalter Der Revolution 1789-1830, Prestel Verlag: Kunsthalle, Múnich ; Hamburgo, 1980, pp. n. 53.

Pita Andrade, J. M., Álvarez Lopera, J. et al., Goya y la constitución de 1812, Ayuntamiento, Delegación de Cultura, Madrid, 1982, pp. n. 79.

Bozal, V, 'El Sueño de la Razón produce monstruos' En: Historia de la belleza, de Fidias a Picasso, Círculo de Lectores - Fundación Amigos Museo del Prado, Madrid, 2015, pp. 187-208 [196].

Matilla Rodríguez, José Manuel, Ligereza y atrevimiento. Dibujos de Goya, Fundación Botín, Santander, 2017, pp. 97 n.52.

Matilla, J.M. Mena M.B., Goya: dibujos. Solo la voluntad me sobra, Museo Nacional del Prado, Madrid, 2019, pp. 181 nº108.

Other inventories +

Colección Dibujos Goya (Numeración Sánchez Catón). Núm. 372.

Catálogo Goya, Pierre Gassier y Juliet Wilson. Núm. 1367.

Exhibitions +

Solo la voluntad me sobra. Dibujos de Francisco de Goya
Madrid
19.11.2019 - 16.02.2020

Ligereza y atrevimiento. Dibujos de Goya
Santander
22.06.2017 - 30.09.2017

Temporary Installation: Constitutional ideas in Goya's work
Madrid
10.05.2012 - 17.09.2012

Update date: 01-08-2020 | Registry created on 28-04-2015

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