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It will be the same
Goya y Lucientes, Francisco de
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Goya y Lucientes, Francisco de

Fuendetodos, Zaragoza (Spain), 1746 - Bordeaux (France), 1828

Goya y Lucientes, Francisco de See author's file

It will be the same

1810 - 1814. Grey-brown wash, Pencil, Red chalk on dark yellow laid paper Not on display

This is one of the six strange ink drawings that has been included in the group of preparatory drawings for the Disasters of War, although they are very different in conception, composition, technique and style from those made in red chalk. The ink washes customarily have various overlapping coats, ending with the surface application of pencil lines (red chalk, pencil or white chalk). Gassier expressed some doubts about the authorship of part of this drawing: “Some details are clumsily drawn, suggesting another hand: most of all, the leg of the soldier on the far left. Only a few traces of the first red-chalk sketch are visible, which could indicate that this composition was taken up by a different hand at some later time.” Gassier’s comments should be nuanced, however, as the traces of red chalk are not underneath the wash, as he supposed, but instead, on top of it.

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Será lo mismo
Burnished wash on ivory paper, 1810 - 1814
Inventory number
D003978
Author
Goya y Lucientes, Francisco de
Title
It will be the same
Date
1810 - 1814
Technique
Grey-brown wash; Pencil; Red chalk
Support
Dark yellow laid paper
Dimension
Height: 159 mm.; Width: 223 mm.
Series
Desastres de la guerra [dibujo], 21
Provenance
Javier Goya; Mariano Goya; Valentín Carderera; Mariano Carderera; Museo del Prado, 12-11-1886.

Bibliography +

Delteil, Loys, Francisco Goya: Le peintre graveur ilustré, I, Chez L'Auteur, Paris, 1922.

Sánchez Cantón, Francisco Javier, Sala de los dibujos de Goya, II, Museo del Prado, Madrid, 1928, pp. 168.

Sánchez Cantón, Francisco Javier, Los dibujos de Goya: reproducidos a su tamaño y en su color, I, Museo del Prado, Madrid, 1954, pp. 151a.

Salas, Xavier de, Goya, Drawings and Prints From the Museo del Prado and the Museo Lázaro Galdiano, Madrid, and The Rosenwald Collection, The Smithsonian Institution, Washington, 1955, pp. 17.

Malraux, André, Saturn an essay on Goya, II, Phaidon Press, Londres, 1957, pp. 104.

Harris, Tomas, Goya, engravings and lithographs, II, Bruno Cassirer, Oxford, 1964, pp. 302.

Gassier, Pierre, Vie et oeuvre de Francisco de Goya: l' oeuvre complet illustré: peintures, dessins, gravures, Office du Livre, Fribourg, 1970, pp. nº 1028.

Gassier, Pierre, Dibujos de Goya. Estudios para grabados y pinturas., II, Noguer, Barcelona, 1973, pp. 230.

Sayre, Eleanor A., The Changing Image. Prints by Francisco Goya, Museum of Fine Arts, Boston, 1974, pp. nº168.

Derozier, C., La Guerre D'Independance Espagnole a Travers L'Estampe (1808..., II, Universidad de Lille, Lille, 1976, pp. 873.

Mena Marqués, Manuela B., El cuaderno italiano : 1770-1786 : los orígenes del arte de..., Museo del Prado, Madrid, 1994.

Blas, Javier, El libro de los desastres de la guerra Francisco de Goya, Museo del Prado: R.A.B.A.S.F., Madrid, 2000.

Nieto Alcaide, V, La guerra y lo imaginario en la pintura de Goya. En Historias inmortales, Barcelona, 2003, pp. 319-329.

Matilla, José Manuel, Estampas españolas de la Guerra de la Independencia: propaganda, conmemoración y testimonio, Universidad de Salamanca, 2008.

Bordes J., Matilla J.M. y Balsells, Goya : cronista de todas las guerras: los Desastres y la fotografía de Guerra, Centro Atlántico de Arte Moderno y Real Academia de Bellas Artes de San Fernando, Las Palmas De Gran Canaria Y Madrid, 2009, pp. 122.

Other inventories +

Colección Dibujos Goya (Numeración Sánchez Catón). Núm. 168.

Catálogo Goya, Pierre Gassier y Juliet Wilson. Núm. 1028.

Exhibitions +

Goya: El cuaderno italiano
Gijón
24.06.1994 - 21.08.1994

Update date: 02-05-2019 | Registry created on 28-04-2015

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