What is this hubbub?
1814 - 1815. Etching, Burin, Burnisher, Aquatint on wove paper.Not on display
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02-06-2026
- Francisco de Goya y Lucientes - Engraver
- Fuendetodos, Zaragoza (Spain), 1746 - Bordeaux (France), 1828 - Engraver
- Laureano Potenciano Pastor
- Madrid, 1837 - ¿Madrid?, 1864
- Real Academia de Bellas Artes de San Fernando
Not on display
Multimedia
Video
Goya’s Black Paintings
Video
Sade and Goya: Sovereign Imagination and Critical Imagination. Georges Didi-Huberman (Original Version)
Video
Reopening of the Goya cartoon galleries and the 18th Century Spanish painting galleries
Video
The exhibition Spanish Drawings from the Hamburger Kunsthalle: Cano, Murillo and Goya
Video
The exhibition Rome in your pocket. Sketchbooks and artistic learning in the XVIII Century
Video
Commented works: The Witches’ Flight, Francisco de Goya y Lucientes, (1797-1798), by Manuel Borja-Villel
Video
Commented works: Self-portrait, Francisco de Goya y Lucientes, (1796 - 1797), by Juliet Wilson- Bareau
Video
Commented works: The Pradera de San Isidro, Francisco de Goya y Lucientes, (1788), by Enrique Quintana
Video
Concha Jerez: The Third of May 1808 in Madrid: the executions on Principe Pio hill by Goya
Video
Goya and more
Technical data
Related artworks
- What is this hubbub?
- Etching on laid paper, 1814 - 1815
- Calcografía Nacional - Printer
- Real Academia de Bellas Artes de San Fernando - Editor
- Francisco de Goya y Lucientes - Engraver
- What is this hubbub?
- Burnisher on wove paper, 1814 - 1815
- Real Academia de Bellas Artes de San Fernando - Editor
- Laureano Potenciano Pastor - Estampador
- Francisco de Goya y Lucientes - Engraver
- Inventory number
- G002395
- Authors
- Francisco de Goya y Lucientes -Engraver-; Laureano Potenciano Pastor; Real Academia de Bellas Artes de San Fernando
- Title
- What is this hubbub?
- Date
- 1814 - 1815
- Technique
- Etching; Burin; Burnisher; Aquatint
- Support
- Wove paper
- Dimension
- Height: 248 mm; Width of the plate mark: 221 mm; Height of the plate mark: 180 mm
- Series
- Desastres de la guerra [estampa], 65
- Provenance
- Real Academia de Bellas Artes de San Fernando, Madrid; Eduardo Luis Moreda Fernández; Museo del Prado, 2000
- Entry date
- 2000
Bibliography +
Blas, Javier y Matilla, José Manuel, El libro de los desastres de la guerra : Francisco de Goya, Museo Nacional del Prado,Calcografía Nacional..., Madrid, 2000, pp. 122-124.
Calvo Serraller, Francisco (dir.), Goya: la imagen de la mujer, Fundación Amigos del Museo del Prado, Madrid, 2001, pp. 318.
Obras adscritas al Museo Nacional del Prado en el año 2000, Boletín del Museo del Prado, XIX, 2001, pp. 200.
Nieto Alcaide, Víctor, La guerra y lo imaginario en la pintura de Goya, Barcelona, 2003, pp. 319-329.
Matilla, José Manuel, Estampas españolas de la Guerra de la Independencia: propaganda, conmemoración y testimonio, Universidad de Salamanca, 2008.
Pérez Francés, José Antonio, Aragón en los Desastres de la guerra de Francisco de Goya, Institución Fernando el Católico,, Zaragoza, 2025, pp. 39-62 [304-307,313-315].
Other inventories +
Inv. Nuevas Adquisiciones (iniciado en 1856). Núm. 2564.
Inscriptions +
65 // Qué alboroto es este?
Lettered in the plate.
Front
Exhibitions +
The invited work: Farideh Lashai
Madrid
30.05.2017 - 10.09.2017
Visor 360
Other works by Francisco de Goya y Lucientes; Laureano Potenciano Pastor; Real Academia de Bellas Artes de San Fernando
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