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An exciting moment: The battle of the attendants
Francisco Calvo Serraller, Museum Director, 1993-1994An exciting moment: The battle of the attendants
Francisco Calvo Serraller, Museum Director, 1993-1994
If I think of something that excited me at the time, it would be my hard-fought defense of the thirty attendants they wanted to release from the Museum, even though the Prado would virtually have to close its doors. I came into conflict with successive State authorities until I reached the highest echelons of the government. Not the Prime Minister’s office, but almost. I had a tough conversation with a person I treated with respect, but certainly without giving an inch. I told him, "If you do this – he’d told me he had to do it because of a previous sentence with a certified guard …, in short, something really absurd –, if you do this with the attendants at the Prado, then the Prado will obviously close. First, because it won’t be able to function and, second, because it will go on strike and, third, because I will lead the strike myself". To this he replied, "You wouldn’t be so irresponsible". But I was really angry and said, "I’m going to tell you how irresponsible I am! I couldn’t give a damn about the Ministry of Culture, the Government of Spain or Spain compared to this!" Well, I managed to keep them. Later they turned the whole thing into the stuff of legend, at least the attendants did. It wasn’t just a human problem, a problem of employment. It was something that the Prado has that is truly exceptional, something that it might lose one day, which would be really tragic. There is no group of attendants in the world comparable to that of the Prado, not even in my day. There are art historians, people with degrees. They’re truly exceptional, people of considerable standing. I believe this forms part of the Museum’s heritage and I would be very sorry if, for budgetary reasons or questions of business strategy and the like, we should lose this, because it forms part of the Museum’s DNA.
Director of the Museo del Prado from 1993 to 1994, he was a founding member and Trustee of the Board of the Friends of the Museo del Prado Foundation. Moreover, he was Professor of Art History at the Universidad Complutense de Madrid, the curator of several exhibitions and an art critic.
Interview recorded on October 04, 2018
Interview index
12 / 18-
Head of the Museum and founding member of The Friends of The Prado Museum Foundation -
The history of Spain reflected through the Museum -
Different Directors: aristocrats, artists, art historians -
I never dreamt I might head the Museo del Prado one day -
Qualities required to head The Prado -
Political tact and public relations required to head The Prado -
The Director must walk round the Museum -
The Prado: a political football -
Budgetary paradoxes and ridiculous cultural policies -
A neglected museum up until the first Aznar government in 1996 -
Miguel Zugaza (2002): The ideal person at an optimum moment -
An exciting moment: The battle of the attendants -
Coordinating a museum and attending to all members of staff -
A non-existent press department -
Resignation -
Not a single day without passion or enthusiasm -
The warmth of the employees -
Oral recollection: Talking with body and mind
- Collective
- Management
- Chronology
- 1990-2000
- RDF
- RDF
Management
Gabriele Finaldi
Assistant Director of Conservation and Research, 2002-2015
Miguel Zugaza Miranda
Museum Director, 2002-2017
Manuela Mena Marqués
Head of the Department of Conservation of 18th Century Painting and Goya, 1978-2019
Fernando Checa Cremades
Museum Director, 1996-2001
José María Luzón Nogué
Museum Director, 1994-1996