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I Was Chosen Because of My Academic Profile
Fernando Checa Cremades, Museum Director, 1996-2001I Was Chosen Because of My Academic Profile
Fernando Checa Cremades, Museum Director, 1996-2001
My name is Fernando Checa and I was the Director of the Museo del Prado between 1996 and the year 2002. They chose me because of my profile as an Art Historian, Researcher and Lecturer on the History of Art at the Universidad Complutense in Madrid. Furthermore, I had always been interested in matters relating to the Museo del Prado. I can’t say that I didn’t hesitate a little, because I did, but not that much really. Precisely because of my academic background I’d always liked the idea, although it frightened me a little. Heading the Museo del Prado, a museum of worldwide stature, is quite an imposing prospect. What’s more, the circumstances that existed in the late 1990’s, such as the failure to resolve a number of basic problems and the climate of political conflict, especially between the two main parties regarding cultural questions and the Museo del Prado, had made it impossible to approach the matter in a calm and serene manner. The profile of my predecessors was very similar to my own: university lecturers, researchers interested in the history of art, individuals who had always been linked in some way to matters relating to the Museo del Prado. A museum is all these things for sure, but there are other things too. Even pure academics such as Francisco Javier Sánchez Cantón and Alfonso Pérez Sánchez realised that, when dealing with the Museo del Prado, if you want to offer an authentic academic, artistic and aesthetic discourse at the Museum, you really have to do other things.
Director of the Museo del Prado from 1996 to 2001, art historian and museographer, specializing in Baroque painting and especially in collectionism and royal patronage in Spain during the 16th and 17th centuries.
Interview recorded on May 30, 2018
Interview index
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I Was Chosen Because of My Academic Profile -
Francisco Javier Sánchez Cantón: Perhaps the Most Important Director in the Twentieth Century -
Alfonso Pérez Sánchez: A Giant Step Forward -
The Two Great Experiences of My Life -
1996-1998: Refurbishment of the Roof Whilst the Museum Remained Open -
The Parliamentary Pact and the Expansion Project -
The Museum Plan for 1997 -
The New Acquisitions Policy: The Countess of Chinchón by Goya -
The Need for New Acquisitions -
The Restoration of Masterpieces: Titian, Goya, Hieronymus Bosch -
Staff Expansion: Successes and Pending Matters -
Education at the Museum -
Press Vs. Prado -
José Milicua: A Wise Observer -
Gustavo Torner: An Absolutely Exquisite Sensibility -
The Hardest and Most Enriching Challenge -
I Miss My Daily Contact with the Works
- Collective
- Management
- RDF
- RDF
Management
Gabriele Finaldi
Assistant Director of Conservation and Research, 2002-2015
Miguel Zugaza Miranda
Museum Director, 2002-2017
Francisco Calvo Serraller
Museum Director, 1993-1994
Manuela Mena Marqués
Head of the Department of Conservation of 18th Century Painting and Goya, 1978-2019
José María Luzón Nogué
Museum Director, 1994-1996