Loading...
The Two Great Experiences of My Life
Fernando Checa Cremades, Museum Director, 1996-2001The Two Great Experiences of My Life
Fernando Checa Cremades, Museum Director, 1996-2001
Being the Director of the Museo del Prado means being the most important person at a meeting, even though you may not be the most important in terms of protocol. In reality, the most important figure amongst all those who were there on many occasions was the Director of the Museo del Prado. Not because the Director is any particular person, but because he is the Head of the Prado.
I had a marvellous time organising exhibitions and organising the Prado’s art collection, with works by Titian, Rubens, Velázquez, Goya, etc. That’s why I accepted the job, of course. But then I spent most of my time solving storage problems, for example. At that time, the Museo del Prado didn’t have proper storerooms. All we could do in the Villanueva Building was to construct panels and leave an empty space behind; but in two days the space was already filled. The Museum’s security systems at the time also left a lot to be desired. Given that we had no money to install an appropriate security system, the Ministry for Home Affairs provided us with the funds from its budget: for staff, new cameras and other things. In this respect, the Museum’s modern security systems were introduced thanks to this collaboration with the Ministry for Home Affairs.
From an academic point of view and in terms of pleasure, there was nothing better than being able to work at the Museo del Prado with all its paintings. However, apart from this specific aspect in my capacity as an art historian, it was a great experience being able to meet so many people and establish links with so many bodies, because at university or other places everything is much more limited. These were the two greatest experiences of my life, without a doubt.
Director of the Museo del Prado from 1996 to 2001, art historian and museographer, specializing in Baroque painting and especially in collectionism and royal patronage in Spain during the 16th and 17th centuries.
Interview recorded on May 30, 2018
Interview index
4 / 17-
I Was Chosen Because of My Academic Profile -
Francisco Javier Sánchez Cantón: Perhaps the Most Important Director in the Twentieth Century -
Alfonso Pérez Sánchez: A Giant Step Forward -
The Two Great Experiences of My Life -
1996-1998: Refurbishment of the Roof Whilst the Museum Remained Open -
The Parliamentary Pact and the Expansion Project -
The Museum Plan for 1997 -
The New Acquisitions Policy: The Countess of Chinchón by Goya -
The Need for New Acquisitions -
The Restoration of Masterpieces: Titian, Goya, Hieronymus Bosch -
Staff Expansion: Successes and Pending Matters -
Education at the Museum -
Press Vs. Prado -
José Milicua: A Wise Observer -
Gustavo Torner: An Absolutely Exquisite Sensibility -
The Hardest and Most Enriching Challenge -
I Miss My Daily Contact with the Works
- Collective
- Management
- RDF
- RDF
Management
Gabriele Finaldi
Assistant Director of Conservation and Research, 2002-2015
Miguel Zugaza Miranda
Museum Director, 2002-2017
Francisco Calvo Serraller
Museum Director, 1993-1994
Manuela Mena Marqués
Head of the Department of Conservation of 18th Century Painting and Goya, 1978-2019
José María Luzón Nogué
Museum Director, 1994-1996