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I Don’t Want to Be a Restorer When I Visit the Museum
Rocío Dávila Álvarez, Restorer, 1974-2015I Don’t Want to Be a Restorer When I Visit the Museum
Rocío Dávila Álvarez, Restorer, 1974-2015
I don’t want to be a restorer when I come to see paintings. I want to enjoy myself, not suffer. Because when I see pictures that I’ve restored, I think, “I should have done this”. No, if I come to see paintings, it’s for enjoyment. Now I devote myself to other things. I’m a grandmother and I look after my grandchildren. I do things with my grandchildren that I did with my own children. In fact, I have a son who is a painter, you could say, unfortunately …. but I’m delighted. I used to bring them to see paintings. We would come, for example, to see Goya’s The 3rd of May 1808 in Madrid, and they loved that. We’d come to see it, we’d stay for a while looking at it; I’d explain it to them and they’d look at their faces, and then we’d go. Since we like it so much, at home we have a number of books on painting; they spend all day drawing what they see in the books, and when they know the picture, then we come and see it at the Museum. Because you mustn’t tire kids out; you can’t bring them to see all the Velázquez paintings, all the Goyas and all the Rubens, because they’ll get bored and won’t want to come again. So I’ve always brought them to see one picture in particular, not all of them. So at home, since we loved this work so much, it was easy to imbue them with a passion for painting. I think the trick is to just bring them to see one thing.
She joined the Museo del Prado at a time when the Restoration Workshop was being reorganized, then becoming head of the same from 2003 to 2007.
Interview recorded on December 12, 2017
Interview index
14 / 15-
1974: The First Female Art Restorers -
An Article in ABC -
The Restoration Workshop in the 1970’s -
A Different Criterion for Restoration -
At the Service of the Artwork -
Working in Tandem with My Sister -
Don Xavier de Salas and don Alfonso Pérez Sánchez -
Knowledge Millimetre by Millimetre -
Two Cases: Christ Crucified and The Spinners by Velázquez -
Painters and Ways of Working -
The Prado Today and Yesteryear -
Celebrities at the Workshop: Buero Vallejo and Antonio López -
A Rich Legacy Built by All -
I Don’t Want to Be a Restorer When I Visit the Museum -
Patience and Observation
- Collective
- Restoration
- Chronology
- 2010-2020
- RDF
- RDF
Restoration
Rafael Alonso Alonso
Restorer, 1978-2016
José Manso Gómez
Textile and Panel Painting Conservator, 1953-1992
María Teresa Dávila Álvarez
Restorer, 1982-2013