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Knowledge Millimetre by Millimetre
Rocío Dávila Álvarez, Restorer, 1974-2015Knowledge Millimetre by Millimetre
Rocío Dávila Álvarez, Restorer, 1974-2015
In restoration you learn a great deal, because it allows you to see the picture millimetre by millimetre. You’re looking at the way the artist works, how his brushstrokes fall, how he draws, how he builds, where his weaknesses are. You really get inside the work. You can learn a great deal from the artist. Me, for example, you can talk to me about the history of art and give me dates, and I will learn it, but then I forget it all. However, the way a painter has executed a painting, how he uses the brush or how he combines the preparation, the colour and the impasto is something that stays with me and something I truly enjoy. I’ve learned an enormous amount and I’ve had a marvellous time. In fact, when I get into a work or a restoration, I just forget about the rest of the world and I just focus on what I’m doing.
She joined the Museo del Prado at a time when the Restoration Workshop was being reorganized, then becoming head of the same from 2003 to 2007.
Interview recorded on December 12, 2017
Interview index
8 / 15-
1974: The First Female Art Restorers -
An Article in ABC -
The Restoration Workshop in the 1970’s -
A Different Criterion for Restoration -
At the Service of the Artwork -
Working in Tandem with My Sister -
Don Xavier de Salas and don Alfonso Pérez Sánchez -
Knowledge Millimetre by Millimetre -
Two Cases: Christ Crucified and The Spinners by Velázquez -
Painters and Ways of Working -
The Prado Today and Yesteryear -
Celebrities at the Workshop: Buero Vallejo and Antonio López -
A Rich Legacy Built by All -
I Don’t Want to Be a Restorer When I Visit the Museum -
Patience and Observation
- Collective
- Restoration
- RDF
- RDF
Restoration
María Teresa Dávila Álvarez
Restorer, 1982-2013
Rafael Alonso Alonso
Restorer, 1978-2016
George Bisacca
Restorer, 1985-What's on