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Painters and Ways of Working
Rocío Dávila Álvarez, Restorer, 1974-2015Painters and Ways of Working
Rocío Dávila Álvarez, Restorer, 1974-2015
Some painters are just marvellous: they build the works up as if it’s the easiest thing in the world. It may seem easy, but it isn’t. You can see Titian working with glazes, which he places over and removes. He’s a painter who fights within the work. And Velázquez does the same, because he constructs the work in his head and presents a tremendous facility in terms of his precise brushwork. First, he’s completed the picture inside himself, and that means his work is really very clean. I also love Zurbarán, who is quite the opposite; the poor thing creates colour through masses. I like all artists who are sincere in their work and you can see that they find it hard. I’m less keen on the artists of the eighteenth century, artists who are more academic and who all follow the same canons, except for those few artists who are better.
She joined the Museo del Prado at a time when the Restoration Workshop was being reorganized, then becoming head of the same from 2003 to 2007.
Interview recorded on December 12, 2017
Interview index
10 / 15-
1974: The First Female Art Restorers -
An Article in ABC -
The Restoration Workshop in the 1970’s -
A Different Criterion for Restoration -
At the Service of the Artwork -
Working in Tandem with My Sister -
Don Xavier de Salas and don Alfonso Pérez Sánchez -
Knowledge Millimetre by Millimetre -
Two Cases: Christ Crucified and The Spinners by Velázquez -
Painters and Ways of Working -
The Prado Today and Yesteryear -
Celebrities at the Workshop: Buero Vallejo and Antonio López -
A Rich Legacy Built by All -
I Don’t Want to Be a Restorer When I Visit the Museum -
Patience and Observation
- Collective
- Restoration
- RDF
- RDF
Restoration
Rafael Alonso Alonso
Restorer, 1978-2016
José Manso Gómez
Textile and Panel Painting Conservator, 1953-1992
María Teresa Dávila Álvarez
Restorer, 1982-2013