Europe turns a last glance at her companions, who are located outside the composition, as Jupiter carries her away. The god was profoundly enamored of her and transformed into a bull in order to approach her. This story from Ovid´s Metamorphoses is depicted by Rubens in a very succinct manner in this preparatory sketch for a painting Erasmus Quellinus made for the Torre de la Parada.
Rooses, Max, Rubens. S. VIe et Ses Oeuvres, Flammarion, Paris, 1903, pp. 596-599.
Corpus rubenianum Ludwig Burchard: an illustrated catalogue, IX, Arcade Press, Londres, 1968, pp. 207.
Díaz Padrón, Matías, Museo del Prado. Catálogo de pinturas. Escuela flamenca, Museo del Prado; Patrimonio Nacional de Museos, Madrid, 1975, pp. 304-305.
Held, Julius S., The oil sketches of Peter Paul Rubens : a critical catalogue..., The National Gallery of Art, Princeton, 1980, pp. 273.
Díaz Padrón, Matías, El siglo de Rubens en el Museo del Prado: catálogo razonado, Prensa Ibérica, Barcelona, 1995, pp. 1040.
Vergara, Alejandro, The Presence of Rubens in Spain. (Volumes i and II). Tesis D, A Bell & Howell Company, Ann Arbor, 1999, pp. 548.
García Gual, C., 'Relato mítico y momento pictórico. Rubens y Ovidio'. En Historias inmortales, Barcelona, 2003, pp. 281-298.
Posada Kubissa, Teresa, Rubens en la colección Pastrana-Infantado, Boletín del Museo del Prado, XXI, 2003, pp. 24-40.
Classical mythology in the Netherlands in the age of Renaiss..., Peeters, Amberes, 2009.
Mena Marqués, M. (ed.), La belleza encerrada: de Fra Angelico a Fortuny, Museo Nacional del Prado, Madrid, 2013, pp. 202.
Georgievska-Shine, Aneta Silver, Larry, Rubens, Velázquez, and the King of Spain, Ashgate, Surrey, 2014, pp. 56,145 Lám.11 fg.3.6.
Silver, L, 'Ruben's Myths for the Rey Planeta at the Torre de la Parada' En: The Age of Rubens: diplomacy, dynastic politics and the visual arts in Early Seventeenth century., Brepols,, 2016, pp. 235-254 [239].
Vergara, Alejandro, 'P.P.Rubens. Serie de la Torre de la Parada' En:, Rubens: Pintor de bocetos, Museo Nacional del Prado,, Madrid, 2018, pp. 208-222 n.70.
Inv. Nuevas Adquisiciones (iniciado en 1856).
Núm. 896.
Autor P.P.Rubens / 896. Un cuadro titulado 'el rapto de Europa' / Alto 0,15 ancho 0,14
T 89[6]
Inscribed in blue.
Front, lower right corner
A-[tapada por etiqueta]
Inscribed.
Back, Upper right area
Colección/Pastrana
Handwritten label in black ink.
Back, Upper central area
Rubens. Painter of Sketches
Madrid
10.04.2018 - 05.08.2018
Meta-painting. A Journey to the Idea of Art
15.11.2016 - 19.02.2017
Captive Beauty. Fra Angelico to Fortuny
Madrid
21.05.2013 - 10.11.2013
Rubens
Madrid
05.11.2010 - 23.01.2011
Il mito D'Europa
Florencia
10.06.2002 - 15.09.2002
El toro y el Mediterráneo
Madrid
16.03.2001 - 31.05.2001
El toro y el Mediterráneo
Barcelona
16.02.2001 - 15.04.2001
El toro y el Mediterráneo
Palma de Mallorca
01.12.2000 - 15.02.2001
Velázquez, Rubens, Claudio de Lorena y la pintura en la corte de Felipe IV
Bonn
07.10.1999 - 23.01.2000
Room 079 (On Display)
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