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A valuable initiative. The Getty Panels Painting
George Bisacca, Restorer, 1985-What's onA valuable initiative. The Getty Panels Painting
George Bisacca, Restorer, 1985-What's on
In conversation with Tom Wilmering at the Getty, we realized the difficulty that this last generation of real experts in the field were going to be approaching retirement and there was really no one to replace them. We tried to get experts from around the world: London, Florence, Brussels, and Madrid; and we tried to bring them all together and decided to make a network where, based on various projects, we could make trainees fly in to come in and observe two experts working, for example José de la Fuente and I.
They would come in and stay for a month (the Getty paid for their hotels, their meals, their travel, their … everything) to watch us work, and help in small ways, etc. And then, maybe after doing something with us, they would go another time to a project in England and work with restorers there. This way they could get a varied experience of how different treatments were done around the world. I think 14 million dollars was given to the initiative over the course of ten years or so, to finance these various projects. I think it did quite a lot to advance the field. So, that was really a great thing that the Getty was able to do.
Conservator Emeritus at the Metropolitan Museum in New York, specialized in panel paintings. José de la Fuente, the Prado's specialist in this field, trained with him. Since his first contact with the Museo del Prado in the 1980s under the guidance of John Brealey, he has worked with the Museum on restoration of panel paintings and, among others, on the panels of The Descent from the Cross by van der Weyden (1991-1992), The Three Graces by Rubens (1997-1998), the sketches of The Triumph of the Eucharist by Rubens (2013-2014) and Adam and Eve by Dürer (2010).
Interview recorded on October 07, 2020
Interview index
9 / 18-
1985. From the Metropolitan to the Prado -
The specialization of panel supports restoration -
Florence: the trip that changed my life -
John Brealey’s call -
1990. Restoration of The Descent from the Cross, by van der Weyden at the Prado’s restoration department -
José de la Fuente: colleague and friend -
The Descent from the Cross, by Rogier van der Weyden -
The Adoration of the Shepherds by Mengs. An unsatisfying restoration -
A valuable initiative. The Getty Panels Painting -
Adam and Eve by Dürer. A wonderful experience -
Rubens and The Three Graces -
Modelli of The Triumph of the Eucharist, by Rubens. One of the most complex works -
The Transfiguration of Our Lord, by Penni. The work dictates what it needs -
Restoring masterpieces is terrifying -
John Brealey and the restoration of Las Meninas -
Enrique Quintana’s know how -
Miguel Zugaza. The great changes -
The key. To look at more and more paintings
- Collective
- Restoration
- RDF
- RDF
Restoration
Rafael Alonso Alonso
Restorer, 1978-2016
José Manso Gómez
Textile and Panel Painting Conservator, 1953-1992
María Teresa Dávila Álvarez
Restorer, 1982-2013