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Miguel Zugaza. The great changes
George Bisacca, Restorer, 1985-What's onMiguel Zugaza. The great changes
George Bisacca, Restorer, 1985-What's on
In all of the enormous changes that have happened to the Prado … in a large part most of these things are due to Miguel Zugaza, I think. He was an extraordinary director for the Prado. His 15 years here, I think were the most stable in the entire history of the Museum. He’s a formidable presence, but he’s calm. He somehow instills this kind of tranquil feeling and he listens; he listens to you. He gives you his full attention. He makes you feel as though what you have to say is important. And then of course he knows incredibly well how to implement a change or institute a practice. His knowledge of the political mechanisms, and contacts, and so on … but he moves with a lightness of touch. He doesn’t force, he doesn’t push.
Conservator Emeritus at the Metropolitan Museum in New York, specialized in panel paintings. José de la Fuente, the Prado's specialist in this field, trained with him. Since his first contact with the Museo del Prado in the 1980s under the guidance of John Brealey, he has worked with the Museum on restoration of panel paintings and, among others, on the panels of The Descent from the Cross by van der Weyden (1991-1992), The Three Graces by Rubens (1997-1998), the sketches of The Triumph of the Eucharist by Rubens (2013-2014) and Adam and Eve by Dürer (2010).
Interview recorded on October 07, 2020
Interview index
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1985. From the Metropolitan to the Prado -
The specialization of panel supports restoration -
Florence: the trip that changed my life -
John Brealey’s call -
1990. Restoration of The Descent from the Cross, by van der Weyden at the Prado’s restoration department -
José de la Fuente: colleague and friend -
The Descent from the Cross, by Rogier van der Weyden -
The Adoration of the Shepherds by Mengs. An unsatisfying restoration -
A valuable initiative. The Getty Panels Painting -
Adam and Eve by Dürer. A wonderful experience -
Rubens and The Three Graces -
Modelli of The Triumph of the Eucharist, by Rubens. One of the most complex works -
The Transfiguration of Our Lord, by Penni. The work dictates what it needs -
Restoring masterpieces is terrifying -
John Brealey and the restoration of Las Meninas -
Enrique Quintana’s know how -
Miguel Zugaza. The great changes -
The key. To look at more and more paintings
- Collective
- Restoration
- Chronology
- 2000-2010
- RDF
- RDF
Restoration
Rafael Alonso Alonso
Restorer, 1978-2016
José Manso Gómez
Textile and Panel Painting Conservator, 1953-1992
María Teresa Dávila Álvarez
Restorer, 1982-2013